AFTR/IMG · ROOM · BONDS-INTERNATIONAL-CASINO · CONF APPROXIMATE
Bond's International Casino
Lifespan
1980–c. 1982Overview
Massive 1,800-capacity Times Square nightclub opened July 1980 by co-owner Maurice Brahms in the former Bond Clothes emporium, best remembered for The Clash's 17-show May–June 1981 residency, where Grandmaster Flash and the Dead Kennedys shared the bill and an oversold ticket crisis sparked a Times Square disturbance.
The address at 1530 Broadway between West 44th and 45th Streets had layers of prior life before its disco-era incarnation. In the 1930s it operated as the International Casino, a Midtown dinner-dance club. Bond Clothes, a men's clothing chain, then occupied the space through the late 1970s. When co-owner Maurice Brahms (who had also founded Infinity disco at 653 Broadway (opened 1975, destroyed by fire 1979)) leased and converted the building, he merged the prior names: Bond International Casino. The renovated room opened in July 1980 with a 1,800-person capacity and appointments that mixed disco-era spectacle with concert-hall scale: a 'musical staircase,' fountains from the set of The Liberace Show, and a programming policy mixing regular club nights with major touring acts. Its first season drew Blue Öyster Cult, Grace Jones, Blondie, The Plasmatics, and the Dead Kennedys. The event that fixed Bond's in music history was The Clash's residency in support of Sandinista!, booked initially for eight nights beginning May 28, 1981. Promoters oversold the first shows, distributing roughly 3,500 tickets for a room with a legal capacity of roughly 1,750–1,800. On May 30, fire marshals and the New York City Building Department shut down both performances, sparking a public disturbance in Times Square as ticket-holders filled the street. The Clash's vocalist Joe Strummer publicly committed to honoring every ticket, stating the band would not leave New York until every ticket-holder saw a show; the run was extended from eight shows to seventeen, played over fifteen nights, with matinee and evening performances added. Grandmaster Flash and the Dead Kennedys served as support acts on various nights, an early major-stage pairing of hip-hop and punk that prefigured the genre's radio crossover later in the decade. The residency generated national press and is widely credited with accelerating The Clash's breakthrough in the United States. The residency has since been treated at length in histories of the band, of New York's punk scene, and of hip-hop's early commercial reach, for the Grandmaster Flash co-billing and for the band's refusal to abandon oversold ticket-holders. Bond's closed in 1982 by most accounts (its Wikipedia entry gives early 1982; some retrospectives extend it to 1983), and 1530 Broadway returned to retail use. For Maurice Brahms it was a second large club after the destruction of Infinity by fire in 1979.
The Record
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ARCHIVED TAPE · audio pending
No first-hand account is on record here yet. If you were there, add a memory. Attributed quotes and oral histories appear in this slot.
Archive plates
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Sonic profile
Cultural role
DJs, promoters & people
Maurice Brahms
Owner · Co-owner and operator; also founded Infinity disco (653 Broadway, 1975–1979). John Addison is named as co-owner in some accounts; the full ownership structure is otherwise thinly documented.
Grandmaster Flash
Performer · Opened for The Clash with the Furious Five on the residency's first night, May 28, 1981, and was booed by much of the crowd; one of the earliest large-stage pairings of hip-hop with the rock touring circuit.
Joe Strummer
Performer · The Clash vocalist and primary public voice during the 1981 residency crisis; publicly committed to honoring every oversold ticket, driving the run's extension from 8 to 17 shows.
Mick Jones
Performer · The Clash guitarist and co-songwriter; performed all 17 nights of the Bond's residency. Jones was dismissed from The Clash in September 1983, two years after the residency.
Jello Biafra
Performer · Vocalist of the Dead Kennedys; support act on multiple nights of The Clash's 1981 residency. The punk-hip-hop co-billing with Grandmaster Flash was among the earliest such double-bills on a major New York stage.
Bernie Rhodes
Promoter · The Clash's manager at the time of the Bond's residency; present during the crisis management of the May 30 ticket-overage shutdown. Rhodes had been fired by the band in 1978 and rehired in early 1981, shortly before the residency.
Topper Headon
Performer · The Clash's drummer at the time of the Bond's residency; performed all 17 shows of the May–June 1981 run. Headon was dismissed from the band in May 1982, approximately one year after the residency, due to drug addiction.
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Parties & residencies
The Clash Residency
17 shows in 15 nights, May 28–June 13, 1981, in support of Sandinista!. Originally 8 shows; extended after the May 30 ticket-crisis disturbance. Support acts included Grandmaster Flash and the Dead Kennedys.
Opening season (1980–81)
Bond's early programming drew Blue Öyster Cult, Grace Jones, Blondie, The Plasmatics, and the Dead Kennedys, a mix of disco-era nightclub and rock concert hall.