AFTR/IMG · ROOM · PALLADIUM-BALLROOM · CONF NEEDS REVIEW
The Palladium Ballroom
Lifespan
1946–1966 (opening year disputed: 1946 or 1947)Overview
'The Home of the Mambo', the midtown Broadway ballroom where the 'Big Three' orchestras of Tito Puente, Machito, and Tito Rodríguez gained prominence in 1948 (Wikipedia), on a floor where Wikipedia describes ability to dance, not class or color, as the social currency.
The Palladium Ballroom stood on the northeast corner of Broadway and 53rd Street, on the second floor. Wikipedia dates its opening to March 15, 1946 (citing the New York Post of March 14, 1946); the Bowery Boys give 1947, and sources differ. The street number is given as 1698 Broadway by the Palladium Mambo history site, a University of Washington dance historian's oral-history project, and the other sources read give only the corner. It was owned by Maxwell Hyman, according to the Bowery Boys and the Palladium Mambo history site; Wikipedia's Tito Puente entry says Tommy Morton converted the room into a nightclub in 1946, and the record does not reconcile this with Hyman. Latin Sundays began there in 1947, according to the Palladium Mambo history site; La Época credits promoter Federico Pagani with promoting live Latin music at the room from 1945. Accounts differ on the dates, and the record does not settle them. By 1948 the three orchestras later called the 'Big Three' (Machito and His Afro-Cubans, the Tito Puente Orchestra, and the Tito Rodríguez Orchestra) had gained prominence there (Wikipedia), and live Latin orchestras played Wednesday, Friday, Saturday and Sunday nights (La Época; Palladium Mambo). La Época uses the term 'Palladium era'. The Bowery Boys describe a rivalry between Puente and Rodríguez on the Palladium stage. Wednesday nights featured live orchestras and dance shows (La Época) and weekly dance competitions (Wikipedia). Wikipedia lists a free dance lesson, weekly dance competitions, pie contests and a Female Best Leg Contest, and says the night drew Hollywood and Broadway stars. Dancers named in the sources include Killer Joe Piro, who later became master of ceremonies and gave mass lessons (Wikipedia, Killer Joe Piro; the Palladium entry says he briefly filled in as master of ceremonies); Pedro 'Cuban Pete' Aguilar (La Época; Bowery Boys); and Augie and Margo Rodriguez, described by Wikipedia as a popular adagio dance team at the Palladium. Wikipedia lists Marlon Brando, Bing Crosby, Dizzy Gillespie and Sammy Davis Jr. among the patrons. Wikipedia and La Época describe a floor where ability to dance, not class or color, was the social currency. The record does not claim more than that about who shared the floor. A 1961 drug raid led to the loss of the ballroom's liquor license (Wikipedia; Palladium Mambo). The Palladium Mambo history site's bibliography cites a New York Times report of April 9, 1961 whose headline, as given there, reports 13 arrested in a ballroom raid with narcotics, a pistol and a razor found among 800 dancers; the Times article itself was not read for this record, and no other source read gives details of the raid. La Época ties the end of the room to a police drug raid in spring 1966 and the other sources give 1966; the day of the closing is not given in the sources read for this record. The Bowery Boys write that nothing is left of this Palladium; the sources read do not say what replaced the room. A later, unrelated Palladium nightclub stood at 14th Street and Third Avenue (Bowery Boys). La Época says Pagani went on to start Latin nights at El Corso and the Village Gate after the closing. Tito Puente died on May 31, 2000, at age 77 (Wikipedia).
The Record
sourcedOral histories & archival media
ARCHIVED TAPE · audio pending
No first-hand account is on record here yet. If you were there, add a memory. Attributed quotes and oral histories appear in this slot.
Archive plates
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Sonic profile
Cultural role
DJs, promoters & people
Max Hyman
Owner · Owner of the Palladium Ballroom, named as Maxwell Hyman by the Bowery Boys and the Palladium Mambo history site; the sources read do not name a co-owner.
Federico Pagani
Promoter · Promoter credited by La Época with presenting live Latin music at the Palladium from 1945; Wikipedia's Palladium entry says Killer Joe Piro briefly served as master of ceremonies when Pagani was not available. Accounts of the start of Latin programming differ.
Mario Bauzá
Performer · Cuban jazz trumpeter and co-founder and musical director of Machito and His Afro-Cubans, the band that played the Palladium (Wikipedia). The sources read do not say he took part in launching the Palladium's Latin programming.
Tito Puente
Performer · One of the 'Big Three' orchestras at the Palladium; Wikipedia says the Big Three gained prominence there in 1948.
Machito
Performer · Led Machito and His Afro-Cubans, one of the Big Three orchestras at the Palladium.
Tito Rodríguez
Performer · Led the Tito Rodríguez Orchestra, third of the Big Three; the Bowery Boys describe an onstage rivalry between him and Tito Puente at the Palladium.
Celia Cruz
Performer · Cuban-born singer (Wikipedia, Celia Cruz). The Bowery Boys list her, with Beny More and La Lupe, among performers who appeared on the Palladium's stage; the sources read give no dates for her appearances there, and no second source read confirms them.
Killer Joe Piro
Dancer · Italian-American dancer and instructor, born in East Harlem, who later became master of ceremonies at the Palladium and gave mass lessons (Wikipedia, Killer Joe Piro).
Pedro 'Cuban Pete' Aguilar
Dancer · Dancer named by La Época and the Bowery Boys as a Palladium performer.
Augie Rodriguez
Dancer · Half of Augie and Margo Rodriguez, described by Wikipedia as a popular adagio dance team at the Palladium (Wikipedia, Augie and Margo Rodriguez).
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