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AFTR/IMG · ROOM · MUSIC-HALL-OF-WILLIAMSBURG · CONF NEEDS REVIEW

ActiveNeeds reviewPerformance space2001–2026 (as Northsix 2001–2007; Music Hall of Williamsburg 2007–2026)

Music Hall of Williamsburg

66 North 6th Street · Williamsburg, Brooklyn40.7192° N / 73.9618° W

Lifespan

2001–2026 (as Northsix 2001–2007; Music Hall of Williamsburg 2007–2026)
2001Opened·2026Active
now

Overview

Brooklyn's first significant indie-rock concert room, opened in 2001 as Northsix in a former industrial building, renamed Music Hall of Williamsburg in 2007 under Bowery Presents, and a 650-capacity proving ground for nearly every major indie act of the 2000s–2010s and scheduled to close at the end of 2026 after the building's owners declined to renew its lease.

The building at 66 North 6th Street had its first life as an industrial food-production facility (described in multiple accounts as a former mayonnaise factory) before architects Brian Swier and Michael Costantin reimagined it as a live-music room. It opened in spring 2001 as Northsix, named for its address and conceived as a DIY underground space for indie rock and avant-garde acts at a moment when Brooklyn had almost no serious live-music infrastructure. Northsix became one of the first clubs to establish Williamsburg as a destination independent of Manhattan's traditional grip on the touring circuit, earning 'Best New Rock Club' from the Village Voice and 'Best Rock Club' and 'Best Williamsburg Music Venue' from New York Press readers, both in 2002. In 2003, Richard Linklater filmed the opening scene of School of Rock on its stage in the spring, and that June Elliott Smith played Northsix on the 6th and the 9th, among his final New York City performances before his death in October 2003. The same year, on March 15, 2003, the FDNY shuttered the venue over an allegedly expired permit following a booking of the band Leftöver Crack, whose lyrics had openly criticized the department in the wake of September 11; many in the scene read the closure as retaliation. Northsix reopened after roughly a month of negotiations. By 2007, surging Williamsburg rents made renewal on the original terms impossible. The New York-based concert-promotion company Bowery Presents, co-headed by founder John 'JoMo' Moore and Jim Glancy, who had joined from Live Nation in 2006, acquired the venue and undertook a thorough renovation, relaunching it in September 2007 as Music Hall of Williamsburg. The rebrand positioned it explicitly as a Brooklyn counterpart to the Bowery Ballroom: the same 650-person standing-room scale and eclectic booking philosophy anchored in indie and emerging artists, with the same care for sight lines and room acoustics. Three bars serve the three-level interior, and the hall's proportions (wide, relatively low-ceilinged, with solid sound distribution) made it a critics' favorite for mid-size shows. Bowery Presents' approach at MHOW was deliberately developmental: ticket prices were reportedly kept low through much of the 2010s to support emerging acts. Acts that played the room include Modest Mouse, Interpol, LCD Soundsystem, TV on the Radio, Vampire Weekend, The Strokes, Yeah Yeah Yeahs, The National, Arcade Fire, Tame Impala, St. Vincent, Mumford and Sons, and Ed Sheeran. In 2017, AEG Presents acquired a stake in Bowery Presents, folding the operation into a larger regional network while nominally preserving its booking identity. From the 2010s onward, MHOW also hosted a genre of 'underplay', arena-scale acts choosing the room for intimacy or promotional purposes: Kendrick Lamar in 2016, Harry Styles in 2020, Deftones in 2023, Coldplay in 2024. On December 17, 2025, Bowery Presents announced that the building's owners had elected not to renew the venue's lease, and that Music Hall of Williamsburg would cease operations at the close of 2026. Staff members attributed the decision in part to escalating gentrification pressure in the surrounding neighborhood, a corridor now dominated by luxury residential towers and condominiums that had replaced the industrial and bohemian fabric that made Northsix viable in the first place. The hall will program shows through its final year. No successor space or relocation has been announced. The closure notice of December 17, 2025 landed inside a longer displacement pattern that had reshaped the North Brooklyn concert map across the preceding decade: Death by Audio and Glasslands Gallery lost their leases in 2014–2015 as Vice Media took over the building they shared at 49 South 2nd Street / 289 Kent Avenue, and 285 Kent closed next door in January 2014; Output (Williamsburg's Berlin-style techno club) closed on New Year's Day 2019 as its Wythe Avenue block moved into large-scale residential redevelopment. Music Hall of Williamsburg's 650-capacity room is not immediately replaceable within the corridor: Brooklyn Steel (Bowery Presents' remaining Brooklyn anchor, at approximately 1,800 capacity in East Williamsburg) sits at a scale several times larger, and the next mid-size rooms downward (Baby's All Right at approximately 280–330, Elsewhere at approximately 350) leave a capacity gap that the mid-tier touring circuit will feel. The 66 North 6th Street building has no announced successor tenant and no New York City landmark protection; the block sits inside the corridor rezoned by the 2005 Greenpoint-Williamsburg action that permitted the residential towers now framing the venue. Elliott Smith's June 2003 Northsix dates remain among the room's most-cited moments.

The Record

sourced
001Address66 North 6th Street
002Active2001–2026 (as Northsix 2001–2007; Music Hall of Williamsburg 2007–2026)
003TypePerformance space · Brooklyn
004OwnersJohn 'JoMo' Moore · Jim Glancy
005Soundpunk/new wave · experimental · mixed
006StatusActive · needs review
007Sources9 cited

Oral histories & archival media

C-90

ARCHIVED TAPE · audio pending

No first-hand account is on record here yet. If you were there, add a memory. Attributed quotes and oral histories appear in this slot.

Archive plates

0 on record
Flyer placeholder
FlyerPL.01
Pending acquisition
Flyer / ephemeraundated
Photograph placeholder
PhotographPL.02
Pending acquisition
Interior / crowdimage pending
Document placeholder
DocumentPL.03
Pending acquisition
Door policy / pressimage pending

Plates fill in as scans clear rights

Sonic profile

Cultural role

first major indie-rock room in Brooklyn (as Northsix)mid-size touring-circuit anchor, 650-capacity sweet spotartist-development pipeline: club-to-arena graduationunderplay destination for arena-scale acts seeking intimacycasualty of Williamsburg gentrification (lease lost 2025)

DJs, promoters & people

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Parties & residencies

Tags

#indierock#Northsix#BoweryPresents#AEG#formerfactory#North6thStreet#2000s#2010s#2020s#ElliottSmith#SchoolofRock#gentrification#artistdevelopment#closing2026

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